![]() Sounds of different musical instruments and animals were often imitated. Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Note that all solo pieces were of his composition, which was typical of all his concerts. Playbill of Paganini's concert at the Covent Garden in 1832. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. 24 is among his best known of compositions, and serves as inspiration for many prominent artists. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. Niccolò Paganini (27 October 1782 – ) was an Italian violinist, violist, guitarist, and composer. ![]()
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